Besides hockey, I also referee fencing (because I didn’t
have enough slashing and spearing in my life). Last weekend I worked a Regional Youth Circuit tournament up
in Jersey City. It’s a charity event, and since the organizer was a friend of
mine, I was happy to volunteer my time.
The organizer also is a member of the Fencing Officials’
Commission, and she uses this tournament as a chance to give new referees a
chance to work a higher-level competition. She and a couple other FOC members observe and evaluate them
for a possible increase in their ratings.
When I checked in, she asked if I wanted to be observed. I answered no, because I wanted to have
at least one more large event under my belt first.
My day started with the girls’ 12-and-under épée event. Things went pretty smoothly in my group
for the preliminary round, but then in the eliminations we had both of the wire
reels that connect the fencers to the scoring machine fail during the same
bout. I handled the situation
well: first giving then rescinding yellow cards because the symptoms of the
reel failure are the same as those when the fencer’s equipment fails. Then there was another bout where I had
to call non-combativity twice. After the finals of that event were over, I
worked the 14-and-under girls.
I’d seen the organizer walking around the floor, checking on
everyone, and she was watching while I dealt with the reel problems. While I was getting some lunch between
rounds, the organizer came over.
She asked: “In your heart of hearts, which weapon do you want to
referee?” Great question! I replied that I like saber, but I’m
better at épée. So she told me she
was increasing my épée rating.
Then she asked me to go take over the boys’ 14-and-under,
which was the top event at the tournament. Despite getting a rules interpretation wrong at one point (when
a coach called me on it, I did the right thing by getting a ruling from Bout
Committee before we went on), I got to work all the way to the semifinals and run
a bout on the center strip. I was
elated, since one of my goals for the season was to increase my rating and work
a big event, and I accomplished it before the season was half-over.
My favorite clue in this puzzle was 2d, which reversed not one but two word --> letter clues commonly seen in cryptics. “Fix” became “F” (loud) plus “IX” (nine)
Link to puzzle: http://www.thenation.com/article/193625/puzzle-no-3349
Degree of difficulty: Moderate. Needed a little thinking near the bottom, but I’m of the right age to recognize Devo!
Themework: 1a, 11a, and 24a refer to the Marx
Brothers (as alluded to in 28a): GROUCHo, CHICo, and HARPo. Those were the three seen most
often—Gummo and Zeppo also appeared in a few films and shows, mostly playing
straight roles as foils to their older brothers.
Legend: “*” anagram; “~” sounds like; “<“ letters
reversed; “( )” letters inserted; “_” or lower case: letters deleted; “†”
explicit in the clue, “^” first or last letter or letters, “{“ relocated letter
or letters; “§” heteronym, “¶” letter bank, “‡” Spoonerism
Across
1a
|
OS CART HE(G)R OUCH
|
OS (“operator’s”) + CART (“buggy”) + HER (“that
woman”) containing (“carrying”) do^G^ (last letter indicated by “tail”) +
OUCH (“that hurts”)
|
9a
|
<TOOLBAR_<
|
<_g_RAB LOOT< (“snatch money,” reversal
indicated by “back,” omission of G indicated by “excluding $1,000”)
|
10a
|
REF RESH
|
REF (“official”) + RESH (“letter from Israel”)
|
11a
|
*RADICAL ~CHIC
|
*CAD [and] LIAR (anagram indicated by “terrible”) +
~SHEIK (“Arab leader,” homophone indicated by “discussed”)
|
12a, 22a
|
HAS TEN
|
HAS (“holds”) + TEN (“a sawbuck”)
Ten-dollar bills are nicknamed sawbucks (at least in
hard-boiled detective novels) because the roman numeral X looks like a
sawbuck (sawhorse).
|
13a
|
C(LIEN)T
|
LIEN (“financial claim”) contained in (“in”) CT
(“court”)
|
14a
|
*NITROGEN
|
*RINGTONE (anagram indicated by “jarring”)
|
17a
|
<ONE (U)PPED<
|
<DEPP (“Johnny”) + ENO (“Brian”)< (reversal
indicated by “returning”) containing (“about”) jan^U^ary (middle letter
indicated by “mid-”)
|
19a
|
T HEIST
|
HEIST (“robbery”) following (†) T (“true”)
|
22a
|
see 12a
|
|
24a
|
*AEOLIAN HARP
|
*PARIAH ALONE (anagram indicated by “deranged”)
|
26a
|
~AIRFARE
|
~HEIR (“beneficiary”) + ~FAIR (“just”), homophone
indicated by “articulated”
|
27a
|
*EXOTICS
|
*COEXIST (anagram indicated by “uneasily”)
|
28a
|
<MAR(XIS)T<
TH OUGHT |
<TRAM (“streetcar”) containing (“around”) SIX
(†)< (reversal indicated by “westbound”) + TH (“Thursday”) + OUGHT (†)
|
Down
1d
|
_OTTER_
|
p_OTTER_y (“china,” omission of first and last letters
indicated by “removing limits”)
|
2d
|
C LOUD NINE
|
C (“one hundred”) + LOUD (“f”) + NINE (“ix”)
Turning the usual construction around. Good clue.
|
3d
|
RUB ICON
|
RUB (“polish”) + ICON (“a religious image”)
|
4d
|
H(*ERAL)D
|
*LEAR (anagram indicated by “new production”)
contained in (“in”) HD (“high definition”)
|
5d
|
*GERSHWIN
|
*HER SWING (anagram indicated by “improved”)
|
6d
|
*OFFICER
|
*FORCE IF (anagram indicated by “regimented”)
|
7d
|
~CZECH
|
~CZECH (“for example, Kafka,” homophone indicated by
“for auditors”)
|
8d
|
CHE*STNUT
|
CHE (“famous Argentine”) + *STUNT (anagram indicated
by “remix”)
|
13d
|
*CROATIAN
|
*RAINCOAT (anagram indicated by “is ragged”)
|
15d
|
GRIM ACING
|
GRIM (“somber”) followed by (“over”) ACING (“getting
100%”)
|
16d
|
DEVO TEES
|
DEVO (“rock band”) + TEES (“shirts”)
|
18d
|
P(HAL)AN X
|
PAN (“Peter”) containing (“surrounds”) HAL (†) + X
(“unknown”)
|
20d
|
*HAN SOLO
|
*NO HALOS (anagram indicated by “disturbed”)
|
21d
|
*SILENT
|
*LISTEN (anagram indicated by “inappropriately”)
|
23d
|
_NORMA_
|
ho_NOR MA_rylin (anagram indicated by “displaying”)
|
25d
|
POS(I)T
|
POST (“assignment”) containing (“involves”) I (“one”)
|
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