Tobi goes back to Germany this week, so I’ll take the opportunity post on another German theme; or more particularly, why we don’t see so much German in American crosswords (straight or cryptic).
From my experience, French appears to be the foreign language most often used in clues and answers; this is especially so in cryptic cluing. I think that’s because French gives you so many convenient digraphs to splice into a charade clue, like “le,” “la,” and ”de.” Spanish runs second, with Italian and German neck and neck for third. It’s not surprising that French and Spanish are common: they’re the foreign languages most often studied in America (I’m equally awful in both).
The German I’ve seen in puzzles is mostly numbers (“eine” and “drei” give you useful letters to cross) and articles. Those wonderful assembled nouns (around the dinner table a coupla nights ago we were talking about “kummerspeck”–literally “grief bacon”–which means overeating when one feels sad) are often too long for constructors to use, but maybe a half dozen of them could be the theme words in a Friday Wall Street Journal puzzle.
Solution and annotation to The Nation puzzle No. 3,288 below the fold.
From my experience, French appears to be the foreign language most often used in clues and answers; this is especially so in cryptic cluing. I think that’s because French gives you so many convenient digraphs to splice into a charade clue, like “le,” “la,” and ”de.” Spanish runs second, with Italian and German neck and neck for third. It’s not surprising that French and Spanish are common: they’re the foreign languages most often studied in America (I’m equally awful in both).
The German I’ve seen in puzzles is mostly numbers (“eine” and “drei” give you useful letters to cross) and articles. Those wonderful assembled nouns (around the dinner table a coupla nights ago we were talking about “kummerspeck”–literally “grief bacon”–which means overeating when one feels sad) are often too long for constructors to use, but maybe a half dozen of them could be the theme words in a Friday Wall Street Journal puzzle.
Solution and annotation to The Nation puzzle No. 3,288 below the fold.
Legend: "*" anagram; "~" sounds like;
"<" letters reversed; "( )" letters inserted;
"_" or lower case: letters deleted; "†" explicit in the
clue, “^” first or last letter or letters, “{“ relocated letter or letters; “§”
heteronym, “¶“ letter bank
Across
1a
|
*GRAVITYS RAINBOW
|
*WRITING SAY BRAVO (anagram indicated by
“experimental”)
Exclamation point because “experimental writing” is
also used as the definition.
|
9a
|
<A|WARD<
|
<DRAW (“elicit”) + A (†)< (reversal indicated by
“stepping back”)
|
10a
|
SIGH | *TSEER
|
SIGH (“sound of disappointment”) + *TREES (anagram
indicated by “misshapen”)
|
11a
|
ST(EEL B)ANDS
|
STANDS (“bears”) containing (“eating”) EELS (“fish”) +
^B^irds (first letter indicated by “initially”)
|
12a
|
O(HI)O
|
OO (“circles”) containing (“around”) HI (“Hawaii”)
|
14a
|
PAN | ZER_
|
PAN (“search for gold”) + ZER_o_ (“nothing,” omission
of last letter indicated by “almost”)
|
15a,
18a |
DO | BERMAN
PINS | CHER |
DO (“act”) + BERMAN (“comedian Shelley”) + PINS
(“outwrestles”) + CHER (“Oscar winner”)
|
19a
|
UN | IS | ON_
|
UN (“in France, one”) + IS (†) + ON_e (†, omission of
last letter indicated by “not quite”)
|
22a
|
_VOTE_
|
de_VOTE_es (hidden word indicated by “in the center”)
|
24a
|
*BREADCRUMB
|
*EARDRUM BBC (anagram indicated by “damaging”)
|
26a
|
TAILSPINS
|
|
27a
|
LATHE_
|
LATHE_r_ (“soap,” omission of last letter indicated by
“trims the end off”)
|
28a
|
LETTERS OF CREDIT
|
*DIRECT
Inverted clue: the letters of the word “credit”
anagram into “direct.”
|
Down
1d
|
*GEAR|S UP
|
SUP (“have dinner”) following (“after”) *RAGE (anagram
indicated by “uncontrolled”)
|
2d
|
*AGAMEMNON
|
*AMONG MEN (anagram indicated by
“psycho”)
|
3d
|
*INDULGENCE
|
*CLUE ENDING
|
4d
|
Y|*ES MAN
|
*NAMES (anagram indicated by “nasty”) following (“pursuing”)
everybody^Y^ (last letter indicated by “ultimately”)
|
5d
|
_RIGADOON
|
_b_RIGADOON (“Lerner and Lowe musical,” omission of
first letter indicated by “starting late”)
|
6d
|
_INTO
|
_p_INTO (“horse,” omission of first letter indicated
by “headless”)
|
7d
|
~BEECH
|
~BEACH (“strand,” homonym indicated by “reportedly”)
|
8d
|
WART | OR | N
|
WART (“imperfection”) + OR (†) + ^N^ightmares (first
letter indicated by “the start of”)
|
13d
|
*VERNACULAR
|
*CAR VAN RULE (anagram indicated by “violate”)
|
16d
|
*MISQUOTED
|
*TO ME SQUID (anagram indicated by “is disgusting”)
|
17d
|
NE(AR M | I)SS
|
I (“one”) following (“under”) ARM (†) contained in
(“cutting”) NESS (“Eliot”)
This is a hard but rewarding one to parse out. A bend in the rules Hex won’t make,
but Hot and Trazom will.
|
18d
|
*PIVOTAL
|
*VITAL OP (anagram indicated by “disruption of”)
|
20d
|
NO | BLEST
|
NO (“vote [cross reference to 22a] against”) + BLEST
(“heavenly”)
|
21d
|
M | ASS | IF
|
M (“male”) + ASS (“donkey”) + IF (“provided”)
|
23d
|
_TA INT_
|
da_TA INT_egration (hidden word indicated by “to
hide”)
|
25d
|
~ISLE
|
~AISLE (“passage,” homonym indicated by “listening
to”)
|
Would you explain 26 across, please? It was the only clue I didn't get, and I still don't understand it!
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